 |
.
Postmodernist Takes by Claudia Palmarucci and Soodi Sharifi from Kamal o-Din Behzad’s "Harun the Caliph in the Bath" [Volume 2, Number 3] |
|
Adoption.
From Trans-Narrative to Hyper-Narrative; A Study of Second-Degree Narratives [Volume 2, Number 5] |
|
Approach.
An Introduction to Poetics of Criticism [Volume 2, Number 1] |
|
Architectural Periodicals.
The Concept of Architectural Criticism: Historical Developments and Types [Volume 2, Number 2] |
|
Azar Emdadi.
A Comparative Study of the Work of Judy Chicago and the Photographs of Azar in the Light of DaVinci’s "The Last Supper" [Volume 2, Number 3] |
|
BijanNajdi.
An Ecocritical Analysis of Three Stories by BijanNajdi [Volume 2, Number 4] |
|
Christo-Claude.
An Analysis of Eco-Aesthetic Aspectsin the Work of Christo-Claude [Volume 2, Number 4] |
|
Cognitive Neuroscience
The effect of neurological foundations of visual perception on visual modality in graphic design process [Volume 2, Number 6] |
|
Communication U
e of Process the in Communication Urban Tehran in Spaces Public of Review A :T [Volume 2, Number 10] |
|
Contemporary Art.
Fairclough’s Organisational Critical Discourse Analysis Methodology in the Studies of Art Organisations and Events [Volume 2, Number 1] |
|
Contemporary Painting.
Transformation of Transposition in Behzād’s The Khawarnaq Castle in Contemporary Painting [Volume 2, Number 8] |
|
Critical Museology
Critique of Orientalist Narratives in the Representation of Islamic Art in Museums [Volume 2, Number 9] |
|
David Lynch.
The Characteristics of the New Surrealism in Cinema through A Glance at the Work of David Lynch [Volume 2, Number 2] |
|
Dualism
The Myth of Vayu, the Dual-Faced Deity [Volume 2, Number 10] |
|
Farshchian.
A Transtextual Study of Abraham’s Sacrifice: Rembrandt and Farshchian Paintings [Volume 2, Number 2] |
|
Frequency.
Narrative and Time [Volume 2, Number 8] |
|
Gender.
Ecofeminist Philosophy and the Paradox of Essentialism in Artistic Creation: Reading the Culture/Nature/Gender Trichotomy through Contemporary Visual Arts [Volume 2, Number 4] |
|
Globalization of Art.
Sociological Analysis of Art Theft in the Context of Globalization [Volume 2, Number 9] |
|
Green brand.
The Evolution of Eco-Branding: from Eco-Labelling to Eco-Designing [Volume 2, Number 4] |
|
Hannibal Al-Khas.
Deconstruction of Narrative, A Reading of Paintings by Hannibal Al-Khas [Volume 2, Number 1] |
|
Hypertextual approach.
The Representation of Photography in Abu Torab Ghaffari's Illustrations in Sharaf Newspaper with Hypertextual Approach [Volume 2, Number 3] |
|
Industrial design.
An Investigation of the Effectiveness of the Jigsaw Cooperative Learning Strategy on Teaching the Industrial Design Process [Volume 2, Number 7] |
|
Iran Pavilion.
Cultural communication and exhibition diplomacy: flow analysis of Dubai Expo 2020 and the experience of Iran's presence [Volume 2, Number 9] |
|
Literature.
Comparative Studies; the Outcome of the Orientalist Discourse [Volume 2, Number 3] |
|
Middle East
Diplomatic and Nation Branding Capacities of Contemporary Islamic Art in the Middle Eastc [Volume 2, Number 6] |
|
Modernist art.
A Re-Reading of the Picture of Modern Art as Drawn up in the 1950s and 60s Press [Volume 2, Number 2] |
|
Multiplicity of Narratives
Narratology of the Film "Shiar 143": Fluidity in Narrative Order and Viewpoint (A Feminine Perspective on the Holy Defense) [Volume 2, Number 8] |
|
Museum Artifacts.
The Communicative Function of the House-Museum as an Artistic Object [Volume 2, Number 9] |
|
Nature.
The Invisible and visible nature in Autoroute by François Bon [Volume 2, Number 4] |
|
New Isfahan.
Narration in the Contemporary Urban Space: the Archipelago Model; the Case of Historical Urban Fabric of Isfahan [Volume 2, Number 5] |
|
Oil Industry
Petro-Art: the interweaving of Petro-modernity and the developments of contemporary art in Iran and the Middle East [Volume 2, Number 9] |
|
Paratexts
VISUAL ELEMENTS IN THE ILLUMINATED HEADERS: Analyzing the Manichaean Manuscript fragment MIK III 4970 c recto & verso [Volume 2, Number 8] |
|
Peace.
The Narrative Process of Forming Meaning Using Time Travelling in Yara Tasallot, Malek al-Kalam, Sajdah and Botlan by the Painter JavadBayad [Volume 2, Number 5] |
|
Personage
An Analysis of Parallel Plots and Investigation of Multiple Viewpoints in Asghar Farhadi’s Script for Separation [Volume 2, Number 5] |
|
Pierre Bourdieu
The Emergence of a New Sub-Field in Iranian Theater in the1990s: A Bourdieusian Analysis [Volume 2, Number 9] |
|
Plot.
A Study of the Narrative Structure of Shahrokh: A Manifestation of the Cultural Myth of ‘Horr’ [Volume 2, Number 2] |
|
Qazvini
The Fallen angels in ShahTahmasbi's Falnameh and illustrated versions of Qazvini's Ajaib-ul-Mukhluqat and Gharayib-ul-Mujoodat [Volume 2, Number 10] |
|
Reading
Narrative Domination in The Songs of Maldoror [Volume 2, Number 8] |
|
Scientometrics.
The Status of The Outputs of The Faculty Members of Industrial Design in University of Tehran
From The Time Until 1402 [Volume 2, Number 7] |
|
Shahnameh.
Drama and Adaptive Narration: The Suicide Theory [Volume 2, Number 5] |
|
Shiraz Art Festival.
Peter Brook and the Intercultural Theatre [Volume 2, Number 1] |
|
Sohrab Shahid Sales
Lefebvre's "environmental" rhythm mining mechanism in cinematic expression based on a look at two movies «The Still Life» & « The Wind Will Carry Us» [Volume 2, Number 4] |
|
Tehran.
Spatial Asynchrony: The Comparative Reading of the Origins of Modern Spatial Imagination in the Physique of the Nasseri Capital and the Late Safavid Painting [Volume 2, Number 3] |
|
Text.
The Manifestation of Criticism of Photographerly Production from Subjective Truths’ Point of View [Volume 2, Number 1] |
|
The Boxer
A Comparison between Narrative and Interactive Systems Based on the Relationship between Picture and Writing in Willy the Wimp and The Boxer Picture Books [Volume 2, Number 3] |
|
The Realm of Light
"Symbolism of The Realm of Light in the Manichaean Chinese Diagram of Universe" [Volume 2, Number 10] |
|
The Suspended Bridge.
Analysis of Tone and Mood Concepts in The Pol-e Mo’allaq Novel (The Suspension Bridge) [Volume 2, Number 8] |
|
The Winter 66
Awareness Leaps in the Plays of Mohammad Yaghoubi [Volume 2, Number 1] |
|
Winter 2009
PazhouheshNameh-e Farhangestan-e Honar, No.11, Winter 2009 [Volume 1, Number 11] |
|
Yori Lotman.
The Contrast between “Culture” and “Nature” as Meaning-Making Systems in the Process of Cultural Translation: A Comparative Study of A Streetcar Named Desire and its Two Cinematic Adaptations by Kazan and Tavakkoli [Volume 2, Number 1] |
|
artistic process.
Enunciation in the process; Case of study: Mohsen Vaziri Moghadam's sculptures, dynamic artistic objects [Volume 2, Number 6] |
|
cinema and image.
Upstream narratives versus current narratives: a case study of literature and art [Volume 2, Number 6] |
|
design expertise.
Design education based on design cognition science [Volume 2, Number 7] |
|
digital culture
Quasi-objects in the digital state: Art and entanglement human and machine [Volume 2, Number 6] |
|
faculty members
Critique of the Regulations for the Promotion of Faculty Members in Arts Academics [Volume 2, Number 10] |
|
levels of engagement with Islamic art.
Islamic Art and Muslims: the levels of engagement [Volume 2, Number 7] |
|
museum.
Expressions of Object Presence and Absence in Museums [Volume 2, Number 7] |
|
performance.
Existential Semiotics and its Application to Music: The Zemic Theory and its Birth from the Spirit of Music [Volume 2, Number 5] |
|
tensive valance
Architecture: from the being-text to the becoming-object - Case study: Khaju bridge of Isfahan [Volume 2, Number 6] |
|
the Qajars.
A Criticism of Art Researchers' Approach towards the Qajar Art of 13th –15th (AH) Century (with a Focus on Painting) [Volume 2, Number 2] |
|
tragic genre
The Global Visual Culture of the "Pietà" Genre in Contemporary Iranian Painting Stage with a Tragic Approach Based on Northrop Frye [Volume 2, Number 10] |
|
transformation of industrial design.
The transformation of industrial design and the role of education in the development of industries in Iran [Volume 2, Number 7] |
