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Enunciation in the process; Case of study: Mohsen Vaziri Moghadam's sculptures, dynamic artistic objects
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Marzieh Athari Nikazm   , Sohrab Ahmadi |
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Abstract: (217 Views) |
| Mohsen Vaziri Moghadam is one of the most prominent designers, sculptors and painters of modern Iranian art. The main characteristic of his art is emphasizing the process of creating the work, paying attention to the plane of expression and the plane of content. For him, the process of producing the work is more important than the object and the artwork. In his moving sculptures, we see that the spectator can interfere in the processing of new forms. The spectator or the next interlocutor can also destroy the previous form and product a new form. In his voluminous works, we are faced with the dynamics and tight involvement of the enunciator. An intervention that itself is one of the factors of changing form and creating meaning. We will try to show the enunciation and the creating meaning in this process. If we suppose the creator as a subject in process and consider him as the enunciator, we can say that by creating the work, the enunciator always gives his place to an enunciator who becomes an enunciator and this process can continue. The essential enunciator creates meaning that is in the process and invites other enunciators to participate in the process of meaning. This meaning is different and complementary through the narrative that everyone creates by creating movement in the volumes. The purpose of this article is to show how interactive art affects the values of each spectator and convinces him to participate in the process of creating the artwork. |
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| Keywords: Mohsen Vaziri Moghadam, semiotics, enunciation, interactive art, artistic process. |
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Full-Text [PDF 328 kb]
(94 Downloads)
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Type of Study: Research |
Subject:
Special
Received: 2023/12/15 | Accepted: 2023/10/2
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