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Fairclough’s Organisational Critical Discourse Analysis Methodology in the Studies of Art Organisations and Events
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Meysam Yazdi   |
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Abstract: (1774 Views) |
Researching art organisations and institutions from a discursive point of view with a focus on art events needs an interdisciplinary method based on a specific theory and approach, in order to shed light on procedures and structures of power and ideology. The present paper investigates the challenges of exploiting critical discourse analysis method (CDA). After focusing on organisations and events, data collection and analysis methods, it moves on to the foundations of the methodologies of CDA, and then on Norman Fairclough’s theories, showing how data is gathered and analysed using contemporary Iranian Art organisations and events. The research shows that based on the tri-level CDA method of Fairclough, which is in line with Roy Bhaskar’s analytical model, and also taking advantage of Fairclough’s Organisational Discourse analysis, one can refer to archival data such as statutes, regulations, recalls, and then use intertextual and interdiscursive analyses of discursive behaviours of organisations and their events, to identify features and paradoxes of discursive hegemonisation in art and culture. |
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| Keywords: Methodology, Critical Discourse Analysis, Fairclough, Institutions and Organisations, Art Events, Contemporary Art. |
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Full-Text [PDF 981 kb]
(2700 Downloads)
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Type of Study: Research |
Subject:
General
Received: 1901/12/14 | Accepted: 2019/02/26
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